A great Lathe score includes hand ground tools. This is where someone hand grinds a shape or a pattern to accomplish a very fine detail for a feature.
Category Archives: Tools
HP Patch Panel 353A
Evaporust – Scribe Stand

Amazing remover of rust. Recyclable… It’s a tool in the shop now!
Adding A Cross Cut slide to an Elgin Hardinge Lathe








Tool post and Holder


Piston Type Tool Post & Tool Holder Sets For 12″ Lathe
Complete with 5 quick change tool holders
Turning and facing: 3/16″ – 1/2″ tool bit
Boring, turning and facing: 7/16″ shank
Heavy duty boring bar: 5/8″ shank
Knurling, turning and facing: 3/16″ – 1/2″ tool bit
Easy tool set up to speed production
Weight: 5.5kg.
https://www.busybeetools.com/products/tool-post-quick-change-for-12in-lathe.html





Hardinge Lathe 204 frame Motor
Looking to replace the 204 frame motor I watched my favorite teach on the subject
and that pointed me to the plate on the motor I have

Reading deeper into this, this is an OLD style of motor frame. 204 Stopped being used in 1953… Of course, mine is a discontinued motor frame…


Looking more at this I see the 203 and the 204 frames are similar it’s the screw mounting width that is different. I think an adapter plate could work. The only dimension that matter is D and U. U is 3/4″ so the center of the motor must be 5″ from the bottom of the plate. Obviously P must be smaller or equal. Watch out for the boxes that stick off the side for the wiring to enter.
LOOKING AT A MODERN NEMA CHART:

All the newer motors have 7/8 shaft meaning the pully will also need to be changed. The 145T looks interesting… Some shopping:

There is hope.

there are charts for the motor mount brackets:

ELGIN Hardinge Super precision lathe – Part 2 – Three-phase two-speed constant torque motor with reverse
ELGIN Hardinge precision lathe – Part 1
Books of 2015 – Supplemental and future reading and reference
Adding to the book list for 2015. Lots learned and so much more to learn!
Sound guy Xmas – ScrewDrivers
You can’t just buy one or two screw drivers for xmas, a whole set is a MUCH better idea.
I’ve had nothing but a fantastic experience with WIHA drivers.
This 33 Piece Drivelock screw driver set is a versatile and lightweight solution to carrying around 33 full size drivers.
- Includes Both Soft Cushion Grip & MicroFinish Non-Slip Grip Handles
- Slotted: 3, 3.5, 4, 4.5, 5.5, 6, 6.5
- Phillips: #0,#1 & #2
- Square: 1 & 2
- TORX: T6,7,8,9,10,15,20, 25,30,40
- Nut Drivers Inch 3/16, 1/4, 5/16, 11/32, 3/8, 7/16, 1/2
- Nut Drivers Metric: 5.5, 6, 7, 8, 9, 10,11mm
- Inch HEX: 3/32, 7/64, 1/8, 9/64, 5/32, 3/16
- Metric HEX: 2, 2.5, 3, 4, 5, 6mm
If you have never seen the Drive Lock system in action check this out
If the above is too big, a great starting point is the Drive-Loc VI 15 Pc. Combo Set in Pouch They roll up nicely into any gig bag.
Wiha also offer this 51 piece Precision screw driver set that will last your professional a lifetime!
- Slotted Tips: 0.8, 1.0, 1.2, 1.5, 1.8, 2.0, 2.5, 3.0, 3.5, 4.0mm
- Phillips Tips: #000, 00, 0, 1
- Hex Metric Tips: 1.3, 1.5, 2.0, 2.5, 3.0, 4.0mm
- Hex Inch Tips: .028, .035, .050, 1/16, 5/64, 3/32, 7/64, 1/8, 9/64, 5/32
- Torx Tips: T1, 2, 3, 4, 5, 6, 7, 8, 9, & T10
- Nut Drivers: 1.5, 1.8, 2, 2.5, 3, 3.5, 4, 4.5, 5, 5.5mm
In the same vein as the drive lock drivers, the System 4 screw drivers also offer complete mobility by reducing the weight of screw driver handles.
Sound Guy XMAS!!!!! Rigol DS1054Z 4 Channel Oscilloscope –
Xmas is coming! As we know sound guys are the most difficult people to buy for. Over the last few year I’ve posted some suggestions, here is day 1!
Day 1 – Rigol DS1054Z 4 Channel Oscilloscope
This came to my attention from the EEVBLOG https://www.youtube.com/watch?v=ETCOhzU1O5A love this guy.
It’s an awesome price for a very powerful little machine. Include probes and USB cable.
For $507 Canadian Electro Meter in pickering can hook you up!
Spring Cleaning – leads to…
Summer sale!
Cleaning out the shop… more to follow
WBS-L – 10-060 : PPM Meter Driver |
WBS-L – 14-260 : Mic-Preamp and HP Filter |
WBS-L – 4-109 : Amplifier Card |
WBS-L – 8-109 : Amplifier Card |
WBS-L – 8200 Rack 1 : 8200 Rack 1 |
WBS-L – 8200 Rack 2 : 8200 Rack 2 |
WBS-L – 8200 Rack 3 : 8200 Rack 3 – Front Room |
WBS-L – 8200 Rack 4 : 8200 Rack 4 – Front Room |
WBS-L – 8200 Rack 5 : 8200 Rack 5 – Front Room |
WBS-L – 970029-1 : 12 Fader remote modules |
WBS-L – ADC-48 : 48 Point Patchbay to EDAC90 |
WBS-L – Antoinette : Antoinette |
WBS-L – Bryston 4B : Power Amplifier |
WBS-L – BS – BIG PPM : Bach and Simpson – Large WBS PPM meter |
WBS-L – BS – BIG VU : Bach and Simpson – Large WBS VU meter |
WBS-L – BS – BIG VU – 400 : Bach and Simpson – Large WBS VU meter |
WBS-L – BS – SMALL PPM : Bach and Simpson – Small WBS PPM meter |
WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter |
WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter |
WBS-L – COUNTER : Timer |
WBS-L – DMM12 : Tannoy DMM12 Speaker |
WBS-L – M124 : Universal Audio Amplifier |
WBS-L – M166 : Summing – Summing amplifier |
WBS-L – M174 : Intercom Cross Point |
WBS-L – M201 : M201 Relay Module |
WBS-L – M201 : M201 Relay Module |
WBS-L – M201D : M201 Relay Module |
WBS-L – M202 : M202 – Logic Latch Relay Module |
WBS-L – M202 : M202 – Logic Latch Relay Module |
WBS-L – M207 : Phantom Power 24V to 48 V |
WBS-L – M207 : Phantom Power 24V to 48 V |
WBS-L – M207 : Phantom Power 24V to 48 V |
WBS-L – M24A : Broadcast Multi-Track Console |
WBS-L – M401 : Stereo Noise Suppressor |
WBS-L – M402B : M402B – Equalizer |
WBS-L – M404A : Passive HP Low Pass filter |
WBS-L – M406B : Compressor / Limiter / De-Esser |
WBS-L – M441M : Line input and Microphone pre-amp |
WBS-L – M450 : Universal Amplifier |
WBS-L – M450B : Universal Audio Amplifier |
WBS-L – M450B : Universal Audio Amplifier |
WBS-L – M451 : Talkback Conrtole and Dual Microphone Pre-amps |
WBS-L – M452 : Tone Generator |
WBS-L – M453A : Cue Speaker Amplifier |
WBS-L – M453A : Cue Speaker Amplifier |
WBS-L – M453A : Cue Speaker Amplifier |
WBS-L – M453A : Cue Speaker Amplifier |
WBS-L – M455 : Reverb Return Module |
WBS-L – M457 : 4 Channel Sub Mixer |
WBS-L – M458 : Peak Detector |
WBS-L – M461 : Microphone and line Pre-amp |
WBS-L – M461 : Microphone and line Pre-amp |
WBS-L – M461 : Microphone and line Pre-amp |
WBS-L – M461M : Microphone and line Pre-amp |
WBS-L – M462 : 3-Band Equalizer – Full Parametric |
WBS-L – M462 : 3-Band Equalizer – Full Parametric |
WBS-L – M462 : 3-Band Equalizer – Full Parametric |
WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
WBS-L – M462B : 4-Band Equalizer – Full Parametric |
WBS-L – M462B : 4-Band Equalizer – Full Parametric |
WBS-L – M462B : 4-Band Equalizer – Full Parametric |
WBS-L – M463B : M463AB – Submaster Module |
WBS-L – M463M : Summing – Sub Group |
WBS-L – M464 : High Pass / Low Pass Filter |
WBS-L – M464 : High Pass / Low Pass Filter |
WBS-L – M464 : High Pass / Low Pass Filter |
WBS-L – M466 : Compressor / Limiter / De-Esser |
WBS-L – M466 : Compressor / Limiter / De-Esser |
WBS-L – M466 : Compressor / Limiter / De-Esser |
WBS-L – M466 : Compressor / Limiter / De-Esser |
WBS-L – M466M : M466M Meter Module |
WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key |
WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key |
WBS-L – M468V : Reverb Return Module |
WBS-L – M469C : M1204 Routing module |
WBS-L – M470A : Microphone and line Pre-amp |
WBS-L – M470A : Microphone and line Pre-amp |
WBS-L – M470C : Microphone and line Pre-amp |
WBS-L – M470D : Microphone and line Pre-amp |
WBS-L – M471 : Stereo Input |
WBS-L – M471A : Stereo Input |
WBS-L – M472 : 3 Band Equalizer |
WBS-L – M473A : Summing – sub Group |
WBS-L – M473A : Summing – sub Group |
WBS-L – M475 : Monitor – Stereo speaker monitor |
WBS-L – M477 : Summing – Master Summing |
WBS-L – M479 : Summing – Aux |
WBS-L – M479 : Summing – Aux |
WBS-L – M487 : Dual Master Module |
WBS-L – M490A : Microphone Pre-amp |
WBS-L – M490C : Mono line in – Via Transformer |
WBS-L – M490E : Stereo Input Module |
WBS-L – M490E : Stereo Input Module |
WBS-L – M490E : Stereo Input Module |
WBS-L – M490F : Stereo Input Module with Aux routing |
WBS-L – M495 : Stereo Monitor Module |
WBS-L – M495 : Stereo Monitor Module |
WBS-L – M497 : Summing Amplifiers |
WBS-L – M497 : Summing Amplifiers |
WBS-L – M497 : Summing Amplifiers |
WBS-L – M497A : M497A – Dual Master Module |
WBS-L – M498 : Selector – 8 Stereo |
WBS-L – M498A : Selector – 10 Stereo |
WBS-L – M499 : Selector – 12 Channel |
WBS-L – M499 : Selector – 12 Channel |
WBS-L – M520 : ST Series Microphone Pre-amp |
WBS-L – M520A : ST Series – Microphone Pre-amp |
WBS-L – M520A : ST Series – Microphone Pre-amp |
WBS-L – M521A : ST Series – Stereo Line in |
WBS-L – M522 : ST Series 3-Band EQ |
WBS-L – M522A : ST Series 3-Band EQ |
WBS-L – M522A : ST Series 3-Band EQ |
WBS-L – M522A : ST Series 3-Band EQ |
WBS-L – M523 : ST Series Sub Group |
WBS-L – M525 : Monitor Controller |
WBS-L – M527 : M527, MASTER MODULE |
WBS-L – M528B : Dual Summing Amp |
WBS-L – M529 : M529 – Communications Module |
WBS-L – M529A : Communications Module and Tone Generator |
WBS-L – M562C : Stereo 3-Band Equalizer |
WBS-L – M562C : Stereo 3-Band Equalizer |
WBS-L – M562C : Stereo 3-Band Equalizer |
WBS-L – M604 : M604 – Dual Frequency Oscillator |
WBS-L – M605A : Distribution Amplifier |
WBS-L – M605A : Distribution Amplifier |
WBS-L – M621 : 20 Watt Power Amplifier |
WBS-L – M621 : 20 Watt Power Amplifier |
WBS-L – M624 : 24 Volt Power Supply |
WBS-L – M624 : 24 Volt Power Supply |
WBS-L – M624 : 24 Volt Power Supply |
WBS-L – M625B : 25V Audio Power Supply |
WBS-L – M625B : 25V Audio Power Supply |
WBS-L – M625B : 25V Audio Power Supply |
WBS-L – M625B : 25V Audio Power Supply |
WBS-L – M625B : 25V Audio Power Supply |
WBS-L – M648 : 48V Phantom Power Supply |
WBS-L – M648 : 48V Phantom Power Supply |
WBS-L – M648 : 48V Phantom Power Supply |
WBS-L – M701B : Intercom on ramp |
WBS-L – M805 : Distribution Amplifier |
WBS-L – M805 Rack : M805 Rack |
WBS-L – M808 : Logic – Relay Board |
WBS-L – M8200 : Remote Controlled Micpre-amp |
WBS-L – M8202 : Digital to Analog Converter |
WBS-L – M8204 : Distribution Amp |
WBS-L – M8205 : Distribution Amplifier |
WBS-L – M8205B : Distribution Amp |
WBS-L – M8205B : Distribution Amp |
WBS-L – M8205B : Distribution Amp |
WBS-L – M8245 : 8200 series Power Supply |
WBS-L – M8540 : Intercom Power Supply |
WBS-L – MF10 : Rack Mount Module Tray |
WBS-L – MISC INTERCOM : MISC INTERCOM |
WBS-L – PAULINE : MP1, MP2,MP3,MP4 Meter Panels |
WBS-L – Peggy Sue : Peggy Sue Mixing Console |
WBS-L – PG 1550 : Penny and Giles 1550 |
WBS-L – PG 1550 : Penny and Giles 1550 |
WBS-L – PG 1550 : Penny and Giles 1550 |
WBS-L – PG 1550 : Penny and Giles 1550 |
WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader |
WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader |
WBS-L – PG 4520 ST-ereo : ST Series Penny and Giles 4520 Fader Stereo |
WBS-L – R1400-870139 : R1400-14 Channel Radio Console |
WBS-L – RACK – MF10 : RACK – MF10 – 10 Space Rack |
WBS-L – RACK-FX Rack 1 : WBS-FX Rack 1 – Dynamics – EDAC 90 and XLR for Keys |
WBS-L – RACK-FX Rack 2 : WBS-FX Rack 2 – Dynamics and Filter – EDAC 90 |
WBS-L – RACK-FX Rack 3 : WBS-FX Rack 3 – Filters – EDAC 90 |
WBS-L – RACK-Summing Rack : RACK-Summing Rack |
APK – Rhonda : Rhonda |
APK – RTO-214-NAB2015 : 2 X 14 Retro Module Rack |
APK – RTO-47-NAB2015 : 4 X 7 Retro Module Rack |
APK – RTO-47-The Hoser : 4 X 7 Retro Module Rack |
WBS – ST12-10-3-F : ST series – 10′ – 1′ tail-Female – LINE IN |
WBS – ST12-10-3-M : ST series – 10′ – 1′ tail-Female – DIRECT OUT |
WBS – ST12-25-U : ST series – 20′ – USER TERMINATED |
WBS – ST12-3-1-F : ST series – 3′ – 1′ tail-Female – INSERT |
WBS – ST12-3-1-M : ST series – 3′ – 1′ tail-Male – INSERT |
WBS – ST12-30-3-M : ST series – 30′ – 1′ tail-Female – MIC IN |
APK – Stan : STan – 12 Channel ST series Console |
STUDER – Studer-Phase : Analog Studer-Phase meter |
– DBX – 911 – Noise Reduction |
– DBX – 911 – Noise Reduction |
– DBX – 911 – Noise Reduction |
– SKOTEL – SKOTEL “Digital” Metronome |
– – Cart Deck |
– Alesis – Midiverb 2 |
– Symetrix – A220 – 20 Watt amplifier |
– Behringer – Behringer Edison – Stereo enhancer |
– DOLBY – Dolby SDDU-4 – Surround sound decoder |
– DOLBY – DOLBY SDEU-4 – Surround sound encoder |
– Marantz – PDM 221 – portable field recorder |
– Tascam – 122 Cassette Deck |
– UREI – UREI METRONOME |
– ADC – Digital Patchbay |
– APK – EDAC breakout – RACK output |
– DBX – 120XP Sub Harmonic Synth |
– Clydsdale – Orange Case – Dutchie |
– Digidesign – 003 Rack – missing pwr on button – discolored |
– Studer – Telephone Hybrid |
– Studer – Telephone Hybrid |
– Tascam – 122MK2 – 3 head stereo cassette recorder |
– BBE – BBE 702 (stereo Sonic Maximizer in 900 series) |
– Altec – Altec Lansing Tube Mics 001 |
– Altec – Altec Lansing Tube Mics 002 |
– Altec – Altec Lansing Tube Mics 003 |
– Altec – Altec Lansing Tube Mics 004 |
– Altec – Altec Lansing Tube Mics 005 |
– Altec – Altec Lansing Tube Mics 006 |
– Altec – Altec Lansing Tube Mics 007 |
– Altec – Altec Lansing Tube Mics 008 |
– APK – EDAC breakout – XLR |
– ASHLY – ASHLEY SC-68 notch filter |
– BSS – DPR-402 – Compressor limiter / De-Esser |
– BSS – DPR-402 – Compressor limiter / De-Esser |
– MOGAMI – (24) Channel 25′ EDAC TO EDAC EXTENSION |
– MOGAMI – (24) Channel 6′ EDAC TO EDAC EXTENSION |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 001 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 002 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 003 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 004 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 005 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 006 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 007 |
– Shure – Shure SM81 |
– Yamaha – YAMAHA PB-1 |
– Yamaha – Yamaha SPX900 Reverb |
– AKG – AKG – H99 – Harry – BINAURAL Stereo Microphone |
– APK – EDAC breakout – TRS |
– DELTA LABS – EFFECTRON II ADM1024 |
– Tascam – 122MK2 – 3 head stereo cassette recorder |
– LEXICON – PCM41 |
– New Frontiers – DSP-2110-EX S – signal Analyzer |
– AUDIO ACCESSORIES – 2RU – 96 point – TT Patchbays – EDAC 56 |
– SELA – 2880-6F ( field mixing console) |
– SPL – Vitalizer ( Classic grey faced) |
– TC ELECTRONICS – TC Electronics – FireworX |
– TC ELECTRONICS – FINALIZER PLUS |
– DBX – DBX 900 – Rack – Wired to EDAC with EDAC snake |
– APK – TT Patchbays – EDAC 90 – CUSTOM |
– APK – TT Patchbays – EDAC 90 – CUSTOM |
– APK – TT Patchbays – EDAC 90 – CUSTOM |
– APK – TT Patchbays – EDAC 90 – CUSTOM |
– Alesis – Alesis HD24 – 24 Track – with Hard case and mogami snakes |
Keaton Music Typewriter
On Compressing the English Language
Someone picked my brain the other day looking for a technique to compress language files.
After walking away to think about it… my method was to re-order the ASCII code to the letters by their frequency and the most common words by their frequency.
Where lowercase e is stored as an ASCII value using 1 byte
ASCII e = 0x61 = 0b1100001 = 7 bits
vs
APK e = 0x1 = 1 bit
… this method stores an E in 1 bit. This is similar to the Huffman Code with the addition of whole words being included in the code.
For example:
“because” is the 94th most used word in the english language and in this method is stored in 7 bits.
I don’t know if this has been done before… but I would imagine it could compress Language files substantially.
I have thought about a third addition of using the most used 2 or three letter combinations commonly used.
APK ORDER | APK | LET FREQ | WORD FEQ | APK BIN | APK HEX | APK BITS USED |
0 | space | 0 | 0 | 1 | ||
1 | e | 12.70% | 1 | 1 | 1 | |
2 | t | 9.06% | 10 | 2 | 2 | |
3 | a | 8.17% | 11 | 3 | 2 | |
4 | o | 7.51% | 100 | 4 | 3 | |
5 | i | 6.97% | 101 | 5 | 3 | |
6 | n | 6.75% | 110 | 6 | 3 | |
7 | s | 6.33% | 111 | 7 | 3 | |
8 | h | 6.09% | 1000 | 8 | 4 | |
9 | r | 5.99% | 1001 | 9 | 4 | |
10 | d | 4.25% | 1010 | A | 4 | |
11 | l | 4.03% | 1011 | B | 4 | |
12 | c | 2.78% | 1100 | C | 4 | |
13 | u | 2.76% | 1101 | D | 4 | |
14 | m | 2.41% | 1110 | E | 4 | |
15 | w | 2.36% | 1111 | F | 4 | |
16 | f | 2.23% | 10000 | 10 | 5 | |
17 | g | 2.02% | 10001 | 11 | 5 | |
18 | y | 1.97% | 10010 | 12 | 5 | |
19 | p | 1.93% | 10011 | 13 | 5 | |
20 | b | 1.49% | 10100 | 14 | 5 | |
21 | v | 0.98% | 10101 | 15 | 5 | |
22 | k | 0.77% | 10110 | 16 | 5 | |
23 | j | 0.15% | 10111 | 17 | 5 | |
24 | x | 0.15% | 11000 | 18 | 5 | |
25 | q | 0.10% | 11001 | 19 | 5 | |
26 | z | 0.07% | 11010 | 1A | 5 | |
27 | the | 1 | 11011 | 1B | 5 | |
28 | be | 2 | 11100 | 1C | 5 | |
29 | to | 3 | 11101 | 1D | 5 | |
30 | of | 4 | 11110 | 1E | 5 | |
31 | and | 5 | 11111 | 1F | 5 | |
32 | a | 6 | 100000 | 20 | 6 | |
33 | in | 7 | 100001 | 21 | 6 | |
34 | that | 8 | 100010 | 22 | 6 | |
35 | have | 9 | 100011 | 23 | 6 | |
36 | I | 10 | 100100 | 24 | 6 | |
37 | it | 11 | 100101 | 25 | 6 | |
38 | for | 12 | 100110 | 26 | 6 | |
39 | not | 13 | 100111 | 27 | 6 | |
40 | on | 14 | 101000 | 28 | 6 | |
41 | with | 15 | 101001 | 29 | 6 | |
42 | he | 16 | 101010 | 2A | 6 | |
43 | as | 17 | 101011 | 2B | 6 | |
44 | you | 18 | 101100 | 2C | 6 | |
45 | do | 19 | 101101 | 2D | 6 | |
46 | at | 20 | 101110 | 2E | 6 | |
47 | this | 21 | 101111 | 2F | 6 | |
48 | but | 22 | 110000 | 30 | 6 | |
49 | his | 23 | 110001 | 31 | 6 | |
50 | by | 24 | 110010 | 32 | 6 | |
51 | from | 25 | 110011 | 33 | 6 | |
52 | they | 26 | 110100 | 34 | 6 | |
53 | we | 27 | 110101 | 35 | 6 | |
54 | say | 28 | 110110 | 36 | 6 | |
55 | her | 29 | 110111 | 37 | 6 | |
56 | she | 30 | 111000 | 38 | 6 | |
57 | or | 31 | 111001 | 39 | 6 | |
58 | an | 32 | 111010 | 3A | 6 | |
59 | will | 33 | 111011 | 3B | 6 | |
60 | my | 34 | 111100 | 3C | 6 | |
61 | one | 35 | 111101 | 3D | 6 | |
62 | all | 36 | 111110 | 3E | 6 | |
63 | would | 37 | 111111 | 3F | 6 | |
64 | there | 38 | 1000000 | 40 | 7 | |
65 | their | 39 | 1000001 | 41 | 7 | |
66 | what | 40 | 1000010 | 42 | 7 | |
67 | so | 41 | 1000011 | 43 | 7 | |
68 | up | 42 | 1000100 | 44 | 7 | |
69 | out | 43 | 1000101 | 45 | 7 | |
70 | if | 44 | 1000110 | 46 | 7 | |
71 | about | 45 | 1000111 | 47 | 7 | |
72 | who | 46 | 1001000 | 48 | 7 | |
73 | get | 47 | 1001001 | 49 | 7 | |
74 | which | 48 | 1001010 | 4A | 7 | |
75 | go | 49 | 1001011 | 4B | 7 | |
76 | me | 50 | 1001100 | 4C | 7 | |
77 | when | 51 | 1001101 | 4D | 7 | |
78 | make | 52 | 1001110 | 4E | 7 | |
79 | can | 53 | 1001111 | 4F | 7 | |
80 | like | 54 | 1010000 | 50 | 7 | |
81 | time | 55 | 1010001 | 51 | 7 | |
82 | no | 56 | 1010010 | 52 | 7 | |
83 | just | 57 | 1010011 | 53 | 7 | |
84 | him | 58 | 1010100 | 54 | 7 | |
85 | know | 59 | 1010101 | 55 | 7 | |
86 | take | 60 | 1010110 | 56 | 7 | |
87 | people | 61 | 1010111 | 57 | 7 | |
88 | into | 62 | 1011000 | 58 | 7 | |
89 | year | 63 | 1011001 | 59 | 7 | |
90 | your | 64 | 1011010 | 5A | 7 | |
91 | good | 65 | 1011011 | 5B | 7 | |
92 | some | 66 | 1011100 | 5C | 7 | |
93 | could | 67 | 1011101 | 5D | 7 | |
94 | them | 68 | 1011110 | 5E | 7 | |
95 | see | 69 | 1011111 | 5F | 7 | |
96 | other | 70 | 1100000 | 60 | 7 | |
97 | than | 71 | 1100001 | 61 | 7 | |
98 | then | 72 | 1100010 | 62 | 7 | |
99 | now | 73 | 1100011 | 63 | 7 | |
100 | look | 74 | 1100100 | 64 | 7 | |
101 | only | 75 | 1100101 | 65 | 7 | |
102 | come | 76 | 1100110 | 66 | 7 | |
103 | its | 77 | 1100111 | 67 | 7 | |
104 | over | 78 | 1101000 | 68 | 7 | |
105 | think | 79 | 1101001 | 69 | 7 | |
106 | also | 80 | 1101010 | 6A | 7 | |
107 | back | 81 | 1101011 | 6B | 7 | |
108 | after | 82 | 1101100 | 6C | 7 | |
109 | use | 83 | 1101101 | 6D | 7 | |
110 | two | 84 | 1101110 | 6E | 7 | |
111 | how | 85 | 1101111 | 6F | 7 | |
112 | our | 86 | 1110000 | 70 | 7 | |
113 | work | 87 | 1110001 | 71 | 7 | |
114 | first | 88 | 1110010 | 72 | 7 | |
115 | well | 89 | 1110011 | 73 | 7 | |
116 | way | 90 | 1110100 | 74 | 7 | |
117 | even | 91 | 1110101 | 75 | 7 | |
118 | new | 92 | 1110110 | 76 | 7 | |
119 | want | 93 | 1110111 | 77 | 7 | |
120 | because | 94 | 1111000 | 78 | 7 | |
121 | any | 95 | 1111001 | 79 | 7 | |
122 | these | 96 | 1111010 | 7A | 7 | |
123 | give | 97 | 1111011 | 7B | 7 | |
124 | day | 98 | 1111100 | 7C | 7 | |
125 | most | 99 | 1111101 | 7D | 7 | |
126 | use | 100 | 1111110 | 7E | 7 |
Antoinette before
Got to see a trafic control
Designing a network for school
Music Note Frequency Calculator With Cent Adjustment
A colleague posed a very interesting question:
“I am looking for any music/music math wizard help me figure this out. If I am moving the pitch of a song up by 50 cents (a quarter step?) What frequency is A instead of 440?”
Sounded like the kind of math challenge I like:
The answer is 452.893Hz

To test and confirm that it’s calculating properly, this is up 100 cents making G# 440
This is down 100 cents making A# 440
Here is a link to the excel file
SOUND GUY XMAS! The family delivers sound guy gifts!!
I’m so lucky to have such thoughtful family.
I know how difficult it is to shop for us sound guys.
I hope the ideas I’ve been sharing have been of inspiration to eager shoppers.
I thought I would share some of the ideas my family and friends came up with that I missed and appreciate as professional tools and inspiration to learn from!
Super bright LED flashlight. This one is very small, takes 4 AAA batteries and I bet will last a very long time!
Gear tie Flexible ties. I’ve never seen these! This things are very soft and wont scratch anything.
http://www.leevalley.com/en/wood/page.aspx?p=67776&cat=1,43326,59481
Maped pencils. These are awesome because they are orange and they are triangular. Very nice to work with!
Ike Zimble of Zimble Audio hooked me up over the holidays with a product he really enjoys.
Rawn America’s Tefrawn, I’m very excited to try it out! Truly a Sound Guy Gift!!
I’m very protective of my hearing (and the family knows this).
I’m going on a trip this week and there will be swimming in the ocean. Aqua Ears!
Make it stick – the science of successful Learning, a very very good read. I got 1/2 way through and gave it to a teacher that needed it more than I did.
Flex X-RAP Finger protection. I’ve never seen anything like this stuff. If you’re making a bunch of cables and want to move faster this is the ticket! http://www.leevalley.com/en/wood/page.aspx?p=64762&cat=1,42207,64762
A KAZOO!!!! Because I’m easily entertained.
Happy holidays to everyone! You’re all an inspiration to me and mine! Keep the feedback coming!